Chord Melody Ballads + Intros & Outros

Sa., 15. Mai 2021 20:30 bis 22:00
Live Online Workshop

Dozent:in: Peter Mazza
Sprache: English

Kosten: 27,00€
Veranstalter: mymusicmasterclass.com

Keine Anmeldung mehr möglich, der Workshop hat bereits stattgefunden.

Ähnliche Tutorials:

Lerne das Akkordeon kennen

Lerne das Akkordeon kennen

Gehörbildung mit dem Ear Trainer AMADEUS

Gehörbildung mit dem Ear Trainer AMADEUS

Improvisieren auf dem Akkordeon

Improvisieren auf dem Akkordeon

Ähnliche Workshops:

Die Zunge – des Musikers unterschätztes Werkzeug
Do., 13. Feb. 2025 20:00

Die Zunge – des Musikers unterschätztes Werkzeug

Fagott – Die Staccato-Welt
Mi., 19. Feb. 2025 20:00

Fagott – Die Staccato-Welt

Trompete – James Stamp und andere Flowstudies
Fr., 21. Feb. 2025 20:00

Trompete – James Stamp und andere Flowstudies

Chord Melody Ballads + Intros & Outros

Join us live on May 15th 2021 from 2:30PM-4:00PM EST (11:30AM-1:00PM PST) as we host a LIVE masterclass with acclaimed guitarist Peter Mazza on chord melody ballads. Not only will you be able to ask questions and interact with Peter in this 90 minute webinar, but you will also receive the produced/edited version of this masterclass video for free. That’s right, we’re going to use the webinar footage along with a secondary camera to turn this into a masterclass video for sale at mymusicmasterclass.com. But, since you are participating in the live event, you will get this absolutely free when it’s released! Pretty awesome, right? So, to sum it up, you get…

  • to attend a 90 minute, interactive seminar with master guitarist Peter Mazza
  • to ask questions and possibly even be invited on the screen
  • the produced version of the event in a downloadable format for free
  • pure bliss and inspiration 🙂

Peter Mazza

Peter Mazza is an exciting jazz guitarist recognized for his creative and virtuoso interpretations of jazz standards as well as his passionate and thoughtful compositions. Blending clean and fluent lines with colorful chord voicings and driving pulse, he creates imaginative ensemble arrangements as well as lush solo guitar pieces.

Born and raised in New York City, he attended La Guardia High School of Music and the Arts, then went on to obtain a Bachelor of Music from the Manhattan School of Music and a Masters from The Juilliard School (his Masters on a full scholarship). He studied under guitarists- Allen Hanlon, Fred Fried, Jack Wilkins, Rodney Jones, Dennis Koster.

His performing career began while still in school when he earned the leader’s role at a four-night-a week jam session at Augie’s Jazz Bar, now called Smoke. He played there with Brad Mehldau, Roy Hargrove, Joel Frahm, Chris Potter, Donny McCaslin, Uri Cane, Christian McBride, Larry Grenadier, Dwayne Burno, Greg Hutchinson, Jeff Ballard and many others.

Peter went on to gain acceptance to the prestigious Thelonius Monk Jazz Competition, where he was ranked semifinalist.

He has performed guitar duos in NYC with Jonathan Kreisberg, Mike Moreno, Freddie Bryant, Pete Bernstein, Paul Bollenback, Kurt Rosenwinkel, Jack Wilkins, Gene Bertoncini, Barry Greene and many more.

His groups have been featured at jazz venues such as Dizzy’s Club, Birdland, The Knitting Factory and the Cornelia Street Café and as part of special events held at the United Nations, Rainbow Room, Rialto Room, The Allen Room, The River Club, The Yacht Club, Tribeca Grill, Le Bernadin, Brigewater’s, Saks Fifth Avenue, Bloomingdale’s.

12 years ago, Peter began a Sunday night trio residency at The Bar Next Door at La Lanterna that is still vital today. His trio has featured Hendrik Meurkens, Will Vinson, John Ellis, Donny McCaslin, Jon Irabagon, Patrick Cornelius, Jacam Manricks, Etienne Charles, Itai Kriss, Matt Penman, Matt Clohesy, Hans Glawischnig, Marco Panascia, Ben Williams, Haggai Cohen-Milo, Brian Charette, Ari Hoenig, Bruce Cox and many more.

Over the course of his steady-Sunday-night, Peter has favored the use of 2 different instrumentations that have complimented intimate size of the BND and the club’s exclusive trio format. Those trios boldly explore texture and rhythm without the presence of drums. They include a guitar with bass and horn group, then a guitar with keys and bass group. His current trio with Misha Tsiganov on piano and Thomson Kneeland on Bass just recorded a debut release called “Circles and Lines” on Peter’s own Urban Flower Records.

After successfully launching his residency-gig, early on Peter helped implement a 7-night-a-week schedule of jazz music at the Bar Next Door at La Lanterna that has featured an outstanding and diverse array of guitar and saxophone-led trios, from some of New York’s most seasoned musicians, to some of its most exciting new talent. In an effort to continue to expand the club’s offerings as its Musical Director, 3 years ago he designed and implemented an Emerging Artist Series that has featured the best college-aged musicians playing early sets that occur on 4 nights of every week.

Peter has been invited to perform and guest speak at New York University, The Manhattan School of Music and at the Peabody Institute. In his presentations he discusses how he initiated jazz nights at various restaurants and bars throughout the city and how that effort culminated in the conversion of the BND from a restaurant with jazz into a notable full-on listening venue. He advises students on creative and professional ways to assimilate into the New York Jazz Club scene, particularly into the Emerging Artist Series.

Peter has taught jazz guitar for over 20 years. He held long affiliations with The American Institute of Guitar/International Studio of Music, The National Guitar Workshop and The New School while retaining his active private studio. He has been featured in the pages of Just Jazz Guitar and Jazz Inside magazines where he has discussed his approach to arranging, writing and practicing.
His solo guitar video of “Somewhere Over the Rainbow” on You Tube posses over 120,000 views.

His first CD was in 2007, called Through My Eyes on the Japanese label Late Set Records. The disc presented 8 original compositions and 2 original arrangements. While the pieces drew from jazz, classical, rock, funk and ambient music, the evocative and personal nature of the music fused them. The release was supported with 2 tours of Japan.

Peter’s most current CD – “Circles and Lines” is scheduled for release in October of 2014. He has a solo guitar recording “Blues for the Ineffable” is scheduled for release in 2015.

Though Peter is well seasoned with his own clear and distinctive style, he remains one of the jazz guitar world’s best-kept secrets.







Ähnliche Workshops

Die Zunge – des Musikers unterschätztes Werkzeug
Do., 13. Feb. 2025 20:00 - 21:30

Die Zunge – des Musikers unterschätztes Werkzeug

Sophie Stahl
Live Online Workshop
Ticket: 24,90€


Fagott – Die Staccato-Welt
Mi., 19. Feb. 2025 20:00 - 21:30

Fagott – Die Staccato-Welt

Annette Winker
Live Online Workshop
Ticket: 24,90€


Trompete – James Stamp und andere Flowstudies
Fr., 21. Feb. 2025 20:00 - 21:30

Trompete – James Stamp und andere Flowstudies

Peter Protschka
Live Online Workshop
Ticket: 27,90€


Die neurophysiologischen und -psychologischen Grundlagen des Klavierspielens – Online-Kurs mit Ana-Marija Markovina
Mi., 26. Feb. 2025 18:00 - 19:30

Die neurophysiologischen und -psychologischen Grundlagen des Klavierspielens – Online-Kurs mit Ana-Marija Markovina

Dr. Ana-Marija Markovina
Live Online Workshop
Ticket: 15,00€


Gelassenheit lernen
Mi., 26. Feb. 2025 20:00 - 21:30

Gelassenheit lernen

Dirk Hausen
Live Online Workshop
Ticket: 24,90€


Schnelle Läufe auf der Flöte
Fr., 28. Feb. 2025 20:00 - 21:30

Schnelle Läufe auf der Flöte

Katja Reinbold
Live Online Workshop
Ticket: 27,90€


Die Hände – das wichtigste Werkzeug um Musik zu machen
Do., 6. März 2025 20:00 - 21:30

Die Hände – das wichtigste Werkzeug um Musik zu machen

Sophie Stahl
Live Online Workshop
Ticket: 24,90€


Effektives Zeitmanagement für Musikschaffende – Ein kostenloser Online-Workshop des Projektes IN.DI.E Musik
Di., 11. März 2025 17:00 - 20:00

Effektives Zeitmanagement für Musikschaffende – Ein kostenloser Online-Workshop des Projektes IN.DI.E Musik

Tuba Tuncak
Live Online Workshop
Ticket: 0,00€


Richtig üben! Aber kann man eigentlich falsch üben? – Online-Kurs mit Ana-Marija Markovina
Mi., 12. März 2025 18:00 - 19:30

Richtig üben! Aber kann man eigentlich falsch üben? – Online-Kurs mit Ana-Marija Markovina

Dr. Ana-Marija Markovina
Live Online Workshop
Ticket: 15,00€


Vom Umgang mit Fehlern – Online-Kurs mit Ana-Marija Markovina
Mi., 12. März 2025 18:00 - 19:30

Vom Umgang mit Fehlern – Online-Kurs mit Ana-Marija Markovina

Dr. Ana-Marija Markovina
Live Online Workshop
Ticket: 15,00€


Musik versichern – geht das?
Do., 13. März 2025 20:00 - 21:30

Musik versichern – geht das?

Janina Klabes & Tobias Ferstl
Live Online Workshop
Ticket: 0,00€


Lampenfieber optimieren
Mi., 26. März 2025 20:00 - 21:30

Lampenfieber optimieren

Dirk Hausen
Live Online Workshop
Ticket: 27,90€


Melodica – das ideale Instrument zum Einstieg
Do., 27. März 2025 20:00 - 21:30

Melodica – das ideale Instrument zum Einstieg

Marianne Baldauf
Live Online Workshop
Ticket: 0,00€


Richtig üben! Aber kann man eigentlich falsch üben? – Online-Kurs mit Ana-Marija Markovina
Mi., 9. Apr. 2025 18:00 - 19:30

Richtig üben! Aber kann man eigentlich falsch üben? – Online-Kurs mit Ana-Marija Markovina

Dr. Ana-Marija Markovina
Live Online Workshop
Ticket: 15,00€


Das Methoden-Navi. Ein neues Übungskonzept für Instrumentalist:innen – Drei Online-Kurse mit Uli Menke
Mi., 7. Mai 2025 18:00 - 19:30

Das Methoden-Navi. Ein neues Übungskonzept für Instrumentalist:innen – Drei Online-Kurse mit Uli Menke

Ulrich Menke
Live Online Workshop
Ticket: 80,00€